I’m about to board the first commercial flight from the US to Germany in over four days. I’m directing a shoot in Hannover later this week. At least, that’s the plan. But I need to get there first. And the eruptions of an Icelandic volcano called, Eyjafjallajökull has shut down most air traffic across Europe. It’s a great reminder of just how much is out of our control. (continue reading…)
I’ve never really understood the allure of fantasy football or baseball. I think my friends who speak with great passion about “their” players, trades, stats, are a teensy bit bat-shit. But that’s just me. I’m luke warm about sports unless I’m either playing them or watching them right at that second. However, the world of film has its own version of fantasy football: Casting. (continue reading…)
Here’s a question I made up because I’ve never seen this issue covered:
Amazing site! Here’s my question: Everybody talks about how to direct, but no one addresses the really important stuff, like what a director should wear. Any advice?
Wow, what an amazingly insightful question!
For an indie director, what you wear matters, because you’re going to be in it all day. (And possibly all night when you collapse in a stupor at the end of the day.) It’s important to be comfortable all day long…and it’s a long day we’re talking about, especially on location shoots. (Isn’t every independent film a location shoot?) What I walk out the door wearing is probably what’s going to be on me all day long. I’ve found that anything I take off during the day usually ends up lost or borrowed. While making smart choices about what you wear on set may not seem all that crucial the first day or two of your shoot, by day 17, little choices can translate to big differences in your ability to push ahead without your body going into revolt. (continue reading…)
A few months ago I made a couple of cool little videos for a MTV.com as part of their upcoming series, $5 Cover: Seattle, directed by Lynn Shelton. They were looking for filmmakers to do some fun, documentary-style videos on some topic around the Seattle music scene.
My videos were about Verellen Amps – a shop in Seattle that builds custom tube amplifier that’s run by and for musicians. It has a sweet guitar performance by Dave Knudsen of Minus the Bear. That one’s called “Tube Addiction.” The other one is “Seattle’s Vortex,” about a rehearsal space crammed into an industrial park in Seattle’s North End that serves as an practice space/second home/band incubator for a lot of talented emerging bands like Three Chord Killer, Underdose, The Mercury Rising, and Achilles Fall.
When I was 15, my brother had a saying about me, “Sometimes right, sometimes wrong, never in doubt.”
I’m not sure it was a compliment…
However, it was a pretty good indicator that I was born to be a film director. A director with a film in production makes, on average, 17 million decisions per day. It’s a safe bet that he’s not going to be right on every one. And that’s okay. Being right a lot is overrated anyway—show me someone who’s right all the time and I’ll show you someone making safe choices based on avoiding past failures, someone who eliminates the possibility of being surprised by a wrong choice that somehow turns out right. And that, my friends is the definition of genius—making the wrong choice turn out right.