Tag: Location Shooting
Location, location, location.
A gaffer once told me he’d rather have one bare bulb to light a gorgeous location than a whole truck full of fixtures to try to make an ugly location look good. Since we’re talking about a guy who’s profession is to use a bunch of cool lights to make things look beautiful, that’s a powerful statement.
For a director, a location can make all the difference in your shoot. After all, if you and the actors don’t bring the magic, at least the audience can enjoy the pretty backdrop! Beyond that, a great location can create the opportunity for shots you might not have otherwise had, through framing objects, creating zones of color, tone, or texture, or giving new context to a scene.
It’s a shame, then, that independent productions often come up lacking in the locations department. I run into this problem often. Great locations usually cost money, and on independent films where too few people are doing too much without enough, locations have a habit of getting the short shrift—until a day or two before it’s time to start shooting. It’s not uncommon to find yourself walking onto a location you didn’t even know about the day before, let alone get to scout.
So if you find yourself shooting in a location you’ve never seen before, here are five ways to look like a pro and remind the producers why they hired you in the first place. (continue reading…)
Here’s a question I made up because I’ve never seen this issue covered:
Amazing site! Here’s my question: Everybody talks about how to direct, but no one addresses the really important stuff, like what a director should wear. Any advice?
Wow, what an amazingly insightful question!
For an indie director, what you wear matters, because you’re going to be in it all day. (And possibly all night when you collapse in a stupor at the end of the day.) It’s important to be comfortable all day long…and it’s a long day we’re talking about, especially on location shoots. (Isn’t every independent film a location shoot?) What I walk out the door wearing is probably what’s going to be on me all day long. I’ve found that anything I take off during the day usually ends up lost or borrowed. While making smart choices about what you wear on set may not seem all that crucial the first day or two of your shoot, by day 17, little choices can translate to big differences in your ability to push ahead without your body going into revolt. (continue reading…)